Showing posts with label Silliman University National Writers Workshop. Show all posts
Showing posts with label Silliman University National Writers Workshop. Show all posts

Sunday, March 24, 2013

Authors David McKirdy and Tim Tomlinson to Join Silliman Workshop Panel

(Oh wow what an amazing line up! Wish I could join them again those days were amazing!)

Repost from the FB page of Silliman University National Writers Workshop
 
American author Tim Tomlinson and Hong Kong-based Scottish author David McKirdy are joining the panel of the 52nd Silliman University National Writers Workshop, which is slated to start on 6 May 2013 at the Rose Lamb Sobrepeña Writers Village in Camp Look-out, Valencia, Negros Oriental.


Tim Tomlinson

Tim Tomlinson is a co-founder of New York Writers Workshop, and co-author of its popular text, The Portable MFA in Creative Writing. His recent fiction and poetry appear in Asia Writes, Caribbean Vistas, Citron Review, The Dirty Napkin, Entasis, Extracts, Full of Crow, The New York Quarterly, The Tule Review, Unshod Quills, Write Place At the Write Time, and in the anthology Long Island Noir (Akashic Books). Two of his poems have been nominated for the Pushcart Prize 2013. Currently he resides in Shanghai, where he teaches with New York University’s Global Liberal Studies Program.


David McKirdy

David McKirdy was until 2008 a director of the HK International Literary Festival, having been involved since its inception in 2001. He is one of the organizers of local HK poetry group Outloud. He has taught at the Hong Kong University’s Moving Poetry initiative in 2002 and 2004. His current collection Accidental Occidental, published with a grant from the HK Art’s Development Council, was selected by The Harvard Club of Hong Kong for their book prize two years running. Mr. McKirdy has in recent years been the Poetry commissioning editor for Chameleon Press. He was one of the Asian poets selected by HK University’s Associate Professor Agnes Lam’s study on “Contemporary Asian Poetry in English.” In 2011, he was a featured poet at The Shanghai International Literary festival, The Singapore Writer’s Festival and has organized and participated in events as part of The Baptist University of HK’s International Writers Workshop.

The panel of writers/critics for this year includes Director-in-Residence Susan S. Lara; Dumaguete-based writers Bobby Flores Villasis and César Ruìz Aquino; and guest panelists Dean Francis Alfar, DM Reyes, John Jack Wigley, Jose Y. Dalisay Jr., Ricardo de Ungria, Marjorie Evasco, Alfred Yuson, Gémino H. Abad, and Grace Monte de Ramos.

The workshop, which traditionally lasts for three weeks, is the oldest creative writing workshop of its kind in Asia. It was founded in 1962 by S.E.A. Write Awardee Edilberto K. Tiempo and National Artist Edith L. Tiempo, and was recently given the Tanging Parangal in the Gawad CCP Para sa Sining by the Cultural Center of the Philippines.

This year, the workshop is co-sponsored by the National Commission for Culture and the Arts, the Embassy of the United States of America in Manila, and the United Board for Christian Higher Education in Asia.

For more information about forthcoming events during the workshop, please email Workshop Coordinator Ian Rosales Casocot at silliman.cwc@gmail.com or call the Department of English and Literature at (035) 422-6002 loc. 520. (Edilberto and Edith Tiempo Creative Writing Center)

Tuesday, January 3, 2012

Call for submission of manuscripts to the Silliman University National Writers Workshop

Reposted from Panitikan.com.ph

The Silliman University National Writers Workshop is now accepting applications for the 51st National Writers Workshop to be held April 30 to May 18, 2012 in the Silliman University Rose Lamb Sobrepeña Writers Village. This Writers Workshop is offering fifteen fellowships to promising writers who want to have a chance to hone their craft and refine their style. Fellows will be provided housing, a modest stipend, and a subsidy to partially defray costs of their transportation.

  • To be considered, applicants should submit manuscripts in English on or before 10 February 2012. All manuscripts should comply with the instructions stated below. (Failure to do so will automatically eliminate their entries):
  • Manuscripts should be submitted in hard copy on short-size bond paper, using Times New Roman or Calibri in 12 pt. font type.
  • Applicants for Fiction and Creative Non-Fiction fellowships should submit three to five entries. Applicants for Poetry fellowships should submit seven to ten poems.
  • Applicants for Drama fellowship should submit at least a One-Act Play. For plays beyond the one-act length, a scene accompanied by a synopsis of the entire work should be included.
  • Each fiction, non-fiction, or drama manuscript should not be more than 50 pages, double spaced. We encourage you to stay well below the 50 pages, since a submission half that length is more than sufficient as a critical gauge.
  • Manuscripts should be accompanied by at least one letter of recommendation from a literature professor or an established writer.
  • Along with the manuscripts and the recommendation letter, the following requirements should also be included: resume, a notarized certification that the works are original, and two 2X2 ID pictures.

Send all applications or requests for information to Department of English and Literature, attention Dr. Evelyn F. Mascuñana, Chair, Silliman University, 6200 Dumaguete City. For inquiries, email us at nwworkshop_su@yahoo.com or call us at 035-422-6002 loc. 350.

Thursday, August 4, 2011

Upcoming Appearance: The Asia Literary Review

This is a dream. This is dream...

As a writer, I get rejected a lot. I submit my work, and dread getting that return email. In my inbox, the message's first few words would be previewed. When the message starts with something like "Thank you for your submission," I already know that the next line (once I do click open the message), would be "We regret to inform you that we will not be publishing your work blah blah". That's the rejection form letter.

That was how I felt when I saw the Asia Literary Review's email. I read the previewed "Thank you..." and my  mind was automatically resigned to the fate of the poems I submitted on December 2010 (yeah, it was that long ago). But I was wrong. It was an acceptance letter for two poems, "Three Meals" and "Etiquette."

Poetry editor Martin Alexander mentioned "I very much enjoyed reading your work..." and I was extremely thankful and humbled that the pieces would be that much appreciated. I was like, so dreams do come true. Because when I was writing more fiction, I kind of didn't expect anymore, with the heaps of rejection letters I kept getting.

I have many many people to thank for these recent successes. The fellows and panelists of the 18th Iligan National Writers Workshop, 49th Silliman University National Writers Workshop, 10th Iyas Creative Writing Workshop, 9th Ateneo National Writers Workshop. I had little access to poetry because I was all sci-fi and fantasy, but through these workshops, I learned about stuff like line cuts and objective correlatives.

I still can't believe it.

Saturday, June 11, 2011

Pepper Lunch pig out and more with my Silliman co-fellows

It's been almost a year, I think, since I last saw these great people, or as Gino would put it, fabulous fabulous people.

We met Friday (yesterday) at Pepper Lunch in Greenbelt. I found Miro lined up outside the resto for some reason, despite the fact that we already had a table inside. Knowing how good and considerate a person she is, I decided to line up with her without protest, until the waitress told us we should have just gone inside. The baby of the 49th batch hasn't changed much, save for her more lady-like demeanor and the downplaying of her classic jejemon ways. Oscar, Gino, and Netty were done eating already so we hurriedly ordered Pepper Rice No. 1. It looks boring in the menu, and boring in real life. Just rice topped with corn and pepper, encircled by thin strips of beef on a sizzzzzzling plate. But the first bite will remind you of the age old saying: looks can be deceiving.

http://pepperlunch.com.ph/menu.html



The "You got thin!" or "You got fat" part of the meet-up let's me know how really long it's been since we've all seen each other like this. Oscar's green jokes, as usual, made lots of heads turn; so we we had to finish our meal fast before the surrounding families became too scandalized. I had to check with them if our batch mascot, Nom Nom, was really still okay. I wasn't able to join them in the 50th Silliman reunion since I was in the 18th Iligan Workshop. Good thing that he, apparently, is alive and well!!! I was told that that cute little doggy might have died in Dumaguete while we were away. But he has gotten quite big now:


That's our Nom Nom awright!!!
I wrote about him in a previous post about our batch.

And so we finished with our dinner and moved to Gelatissimo. There, we carried with us our loudness, ruining the quiet and calm of the others who must have hoped to enjoy their dessert in peace.

Oscar told me I've become quite noisy now. Apparently I wasn't like that last year. It seemed I was shy and reserved in Dumaguete...two adjectives that would make my high school and office friends roll on the floor laughing their asses off. Well, that must be the other side of me that comes out when I'm uncomfortable. I take it as a good sign that distance and time may have brought me closer to my Silliman batchmates, or I may have simply changed and don't give a damn anymore what people say. Because hey, we've got one chance in life, why not spend it being ourselves? Why not spend it being my loud self? I think the world should be a noisier place. Noisy with LAUGHTER I mean. hihi. >.<




Thursday, April 21, 2011

Fellows for the 50th Silliman National Writers Workshop

Lifted from Alyza's blog hehe:
Silliman University National Writers Workshop Director-in-Residence Rowena Tiempo-Torrevillas, the National Commission for Culture and the Arts, and Silliman University are pleased to announce that the following young writers have been accepted as fellows for the 50th Silliman University National Writers Workshop scheduled on 2-20 May 2011:

For Poetry
Charmaine Carreon (University of the Philippines-Diliman)
Evangeline Gubat  (University of the Philippines-Diliman)
Jeffrey Javier (University of the Philippines-Mindanao)
Allen Samsuya (University of the Philippines-Mindanao)
Alyza Taguilaso (University of the East Ramon Magsaysay Memorial Medical Center, Inc.)

For Fiction
Glenn Diaz (University of the Philippines-Diliman)
Christine Lao (University of the Philippines, College of Law)
Emmanuel Lava (Ateneo de Manila University)
Andrea Macalino (Ateneo de Manila University)
Marius Monsanto (University of the Philippines-Mindanao)

For Creative Non-Fiction
Philline Donggay (De La Salle University)
Rogelio Garcia, Jr. (Xavier University-Ateneo de Cagayan)
Miguel Sulangi (Ateneo de Manila University)
Elaine Tobias (University of the Philippines-Diliman)
Maria Villaruel (De La Salle University)

This year’s panel of critics is composed of Dumaguete-based writers Myrna Peña Reyes, Bobby Villasis and Cesar Ruiz Aquino, as well as guest panelists Susan Lara, DM Reyes, Dave Genotiva, Ricky de Ungria, Gemino Abad, and Alfred Yuson. For this summer, internationally-acclaimed Singaporean writer from Singapore Management University, Kirpal Singh, will be sitting in with the panel.
The workshop, which is the longest running Writers Workshop in Asia, is coordinated by the Silliman University Department of English and Literature.

Thursday, January 20, 2011

50th Silliman University National Writers Workshop

Can't believe it's been almost a year since the 49th. *sigh*

Call for Submission of Manuscripts to the
50th Silliman University National Writers Workshop

The Silliman University National Writers Workshop is now accepting applications for the 50th National Writers Workshop to be held May 2-20, 2011 in the SU Rose Lamb Sobrepeña Writers Village.

This Writers Workshop is offering fifteen fellowships to promising young writers who would like a chance to hone their craft and refine their style. Fellows will be provided housing, a modest stipend, and a subsidy to partially defray costs of their transportation.
To be considered, applicants should submit manuscripts in English on or before February 25, 2011 (seven to ten poems; or three to five short stories; or three to five creative non-fiction essays). Manuscripts should be submitted in hard copy and as email attachment, preferably in MS Word 2003, to nwworkshop_su@yahoo.com, together with a résumé, a recommendation letter from a literature professor or a writer of national standing, a notarized certification that the works are original, and two 2X2 ID pictures.

Send all applications or requests for information to Department of English and Literature, attention Dr. Evelyn F. Mascuñana, Chair, Silliman University, 6200 Dumaguete City.