Sunday, March 29, 2015
Thursday, March 26, 2015
Masquerade
I don't have a scanner, so I just took a picture of this. :)
"Masquerade"
Mixed Media on watercolor paper
"Masquerade"
Mixed Media on watercolor paper
Labels:
new art
Friday, March 20, 2015
"Geographies" by Sayantani Dasgupta
"Geographies" is smooth and touching. It felt too real to be something I just read. The local details added the grit and flavor that made such a short piece into a real piece of treasure.
Recommended read over at Contrary Magazine.
Recommended read over at Contrary Magazine.
Wednesday, March 18, 2015
Acceptance Letters First Quarter 2015
I have not been as prolific as I'd like. But I do believe I've been producing higher quality work lately. More inspired. More meaty.
70% of the time, I submit work to paying publications. The other 30% are for the non-paying zines that I either read already or read ABOUT in reviews. I choose paying pubs for several reasons:
1. The curation of the work is USUALLY of higher quality.
2. They place a budget on cover art.
3. They place a premium value on art, contributing to a culture that supports artists.
This is not to say that non-paying joints produce low-quality work. But I have seen it happen. Perhaps because the publisher has a free reign to include as many literary pieces as it likes. Like padding. I have also, however, seen non-paying reviews that publish high quality work. I enjoyed reading these journals so much that I wonder why they aren't getting the readership they deserve?!
Anyway, here are the places where I will appear in this year.
70% of the time, I submit work to paying publications. The other 30% are for the non-paying zines that I either read already or read ABOUT in reviews. I choose paying pubs for several reasons:
1. The curation of the work is USUALLY of higher quality.
2. They place a budget on cover art.
3. They place a premium value on art, contributing to a culture that supports artists.
This is not to say that non-paying joints produce low-quality work. But I have seen it happen. Perhaps because the publisher has a free reign to include as many literary pieces as it likes. Like padding. I have also, however, seen non-paying reviews that publish high quality work. I enjoyed reading these journals so much that I wonder why they aren't getting the readership they deserve?!
Anyway, here are the places where I will appear in this year.
- The Philippines Graphic Magazine - "As We Wake" (Already out, March 2, 2015)
- Mythic Delirium 2.1 - "The Secret Life of Cabinets"
- Garden Gnome Publications' Deluge Anthology - "Aqualung"
- The Write Place at the Write Time - "Frying Eggs" and "To the Coddled Youth"
- The Cascadia Subduction Zone - "This How You Teach a Bird to Walk" and "The Weight of Forgiveness."
- Nameless Magazine - "The Gospel of Gossip", "The Verbose Contagion", "The Devil's Darning Needle"
- Dreams and Nightmares - "A Witch's Thousand Years of Joy"
Thank you to the editors for the opportunity!
:)
Wednesday, March 11, 2015
Hiring Process
This story was featured in OMNI Reboot on December 2013, initially posted here. The story is no longer archived there so I'm posting it here :)
Hiring Process
by Anne Carly Abad
You
human?
3:46 p.m.
I am
an artificial intelligence.
3:46 p.m.
Okay,
let’s do this.
3:47 p.m.
I read
in your online profile that you work well with my kind. Please specify
instance.
3:50 p.m.
In my
previous job, an android co-worker was speech-recog-impaired. I often helped
her by inputting stuff she couldn’t get.
3:51 p.m.
An
earlier model, then? What is your opinion of older versions?
3:51 p.m.
The
older ones are actually easier to work with. Newer androids are fast, but they
seem to glitch-out when fed a lot of info.
3:53 p.m.
Kindly
elaborate on this “glitching.”
3:53 p.m.
Let’s
put it this way: when you eat too fast, you might choke. But when you chew
slowly, you appreciate the tastes more.
3:54 p.m.
Cannot
interpret statement. Please try again.
3:55 p.m.
Right.
The new ones freeze, bootloop… not sure what the technical term is. L
3:56 p.m.
I see.
Are you a good conversationalist?
3:56 p.m.
As
long as I don’t have to type in everything, I have no problems.
3:57 p.m.
What
do you think about handling an all-android marketing team?
3:57 p.m.
What’s
the product?
3:58 p.m.
At
this point, it is confidential.
3:58 p.m.
Do I
get to work with Model 2050s or 2060s?
3:59 p.m.
We are
employing the more stable 2050s, as we are well aware of the new model’s
bootloop issues.
3:59 p.m.
Nice.
If that’s the case, I’ll set up the personality ratio to 50% confronting and
50% passive order-taking. Gotta keep things moving.
4:00 p.m.
You
would have half your team questioning your every decision?
4:00 p.m.
I’d
have them THINKING. Two heads are better than one, you know what they say.
4:01 p.m.
When
can you start?
4:01 p.m.
How
much will you pay?
4:02 p.m.
Excuse
me?
4:02 p.m.
You’re
pirating me, aren’t you? You should be offering me a sizeable amount. Don’t
tell me you didn’t do your research, madam/mister AI?
4:03 p.m.
You
may address me as Recruiter X. Protocol calls for me to discuss matters of
compensation on our second interview, Sir.
4:03 p.m.
Oh,
come on! D’you beat around the bush when you hire an android?
4:05 p.m.
You
are human. You must understand that different rules of etiquette apply.
4:05 p.m.
What?
That’s discrimination. I can’t even… I’m out.
4:06 p.m.
Sir,
it was not my intent to offend you.
4:07 p.m.
Sir?
4:10 p.m.
Is
this a government update? When did it become okay to give bots preferential
treatment?
4:24 p.m.
No
such update exists, Sir.
4:24 p.m.
Well
then, why are you processing bots faster than humans?
4:25 p.m.
Damage
control protocol missing.
4:25 p.m.
You do
know I have a record of this text conversation, don’t you?
4:26 p.m.
Give
me 30 minutes. We will discuss your compensation package then.
4:26 p.m.
That’s
more like it.
4:30 p.m.
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